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I think the honorable thing for our species to do is deny our programming, stop reproducing, walk hand-in-hand into extinction, one last midnight, brothers and sisters opting out of a raw deal." A secretion of sensory experience and feeling, programmed with total assurance that we are each somebody. We are things that labor under the illusion of having a self. We are creatures that should not exist by natural law. Nature created an aspect of nature separate from itself. "I think human consciousness is a tragic misstep in evolution. "I contemplate the moment in the garden, the idea of allowing your own crucifixion." When Marty pushes him to explain his beliefs, Rust offers up this view of the human condition (as eloquently delivered by screenwriter Nic Pizzolatto): On the ride back, Marty starts talking Christianity, thinking that Rust is a believer because his apartment has a crucifix on the wall. He warns his less-seasoned partner about jumping to conclusions, saying, "You attach assumptions to a piece of evidence, you start to bend the narrative to support it, prejudice yourself." I have a feeling the narrative will be bent twelve different ways before these eight episodes are over. Hart is the more realistic model: methodical, assembling evidence piece by piece, following the rules.
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Their line of questioning tells a different story: They’re interested in his former partner Rustin Cohle, a man who Hart says "would pick a fight with the sky if he didn’t like its shade of blue."Īt this point, Cohle appears to be your typical Sherlockian TV detective: obsessive, anti-social and hyper-intuitive, finding solutions in tiny details everyone else overlooks. Martin assumes that detectives Papania (Tory Kittles from Sons of Anarchy) and Gilbough (Michael Potts from The Wire) have called him in to discuss his most sensational case: the 1995 murder of a woman named Dora Lange. He seems to be an upright guy his hair is cut, his suit fits, and he’s wearing a decent watch. At this point, we’re not sure what.įirst we meet Martin Hart, played by Harrelson. The reason they’re really in that office-what has brought us to the "after"-is something else. True Detective travels back and forth in time with impunity, but at its core, we have two time periods: "before" and "after." Whatever events are haunting detectives Rustin Cohle (Matthew McConaughey) and Martin Hart (Woody Harrelson), and inspiring this new line of questioning, took place between 19: the "before." In the intervening years, Louisiana was knocked flat by hurricanes Katrina and Rita, destroying valuable evidence of Martin and Rustin’s earlier investigation.
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Our story opens in 2012, at the office of Louisiana’s Criminal Investigations Division, where two former detectives are being questioned separately about an old murder case.